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Diego Luna is a Mexican hottie who has starred in a plethora of movies and TV shows, most being filmed and shown in Mexico and other Spanish speaking countries.
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I've never asked anyone what it's like to wear a prosthetic penis before, but Diego Luna is unsurprised when I do. It was very uncomfortable to wear. In the shower scene, it was tough, because the water was getting in.
It started to get bigger, and bigger, and bigger. I hasten to add that this was not the intended effect. Luna didn't have to wear the prosthetic because of any size issues, but because his character was meant to be circumcised and he was not "I'm from a hippie family," he cheerfully explains.
In the shower scene in question, he teases co-star Gael Garcia Bernal about his uncircumcised penis, and there are a number of other scenes where he has to get naked. So many, in fact, that the film has landed an R rating here, and in Mexico and Britain.
But what do you expect, says director Alfonso Cuaron, in a movie about two year-old boys? Like most teenage males, Julio Bernal and Tenoch Luna are, in the words of one reviewer, "young, dumb and full of come".
They are obsessed with sex: how to get more of it, rather than how to do it properly. The film opens with two of the briefest sex scenes in movie history, all blurring buttocks and slack-jawed concentration, as they say frenzied goodbyes to their girlfriends for the holidays. The boys are left to look after themselves and they do, wrists pumping furiously, while they lie on parallel diving boards until they meet year-old Luisa Maribel Verdu at a wedding, and she takes them up on their offer of a trip to the beach.
We find out she has reasons of her own for this, but by then the trio is already embarked on an increasingly sombre road trip to more sex, death, and the pain of growing up. At last year's Venice Film Festival, it won best screenplay, while Luna and Bernal were jointly awarded the Marcello Mastroianni Award for best newcomers. Combined with the earlier success of Amores Perros - which also starred Bernal, and received a pile of awards, including an Academy Award nomination last year - the film has brought international recognition to the tiny Mexican movie industry.
Two big hits is a considerable strike rate in a country where maybe 10 or 15 films are made a year "and that's a good year," says Luna. The warm reception has also changed the fortunes of the two young stars, who now have roles in big Spanish and US films, while Cuaron - who moved to Hollywood on the back of his film, Love in the Time of Hysteria , and made A Little Princess and Great Expectations - is slated to direct Harry Potter and the Prisoner of Azkaban in Cuaron's vision of Mexico as a poor, corrupt and brutal place is almost as integral to the film as the three main characters.
In one scene, for instance, as Luisa explains to the boys a more esoteric sexual technique, the camera drifts to three nasty looking policeman beating someone up by the side of the road. In another, a dead-pan voice-over tells us that a happy-looking fisherman will soon lose his livelihood when a big hotel buys up the local beach.
This parallel is what distinguishes the film from other rites-of-passage stories, and partly explains why Cuaron and his brother Carlos, who wrote the script together, wanted to make the film in Mexico, not the US. As he puts it: "America is a pre-pubescent country, just starting to discover masturbation. As a country, it's starting to discover masturbation and a couple of pubic hairs, and they want to show them off everywhere. The government funds almost all films in Mexico, and Cuaron had previously argued with them over the distribution of Love in the Time of Hysteria.
Not even in Mexico. Cuaron proved them wrong when he organised his own distribution and Love in the Time of Hysteria became the highest-grossing film in Mexico that year, and did surprisingly well abroad.
But his chances of continuing to work in his home country were severely dented, and he moved to the US as soon as he could. Y Tu Mama is his first film in Mexico for almost a decade. He still maintains that it was the authorities' ire, rather than the sex scenes, which led to the film's R-rating there. Despite the fact that other countries, including Australia, have also restricted it, he sees the rating as censorship in another guise, more proof that the old, autocratic ways are still "like a cancer in the system" of modern Mexico.
Cuaron is more persuasive when he defends his inclusion of so many stark, unsentimental sex scenes on the grounds that they are true to life. Luna - himself a teenager when it was filmed - agrees. It is a big step up from the soap operas that used to be his bread and butter as they are for almost every Mexican actor , and he is clearly delighted with his good fortune.
I have a lot of stuff that you don't need if you work in Mexico! Some of the exuberance we see on screen in Y Tu Mama is clearly real, as is his friendship with Bernal. This was especially helpful when creating the characters' high-intensity banter, which forms the backbone of the film. But also we were acting a very different relationship. I think we are a bit more intelligent than the characters. Luna's exuberance extends to the sex scenes too, which he says were fun to do - even the threesome at the end.
He credits Verdu, best known for her role in Belle Epoque , for this. But she made everything really easy. I mean, these scenes would be really tough with an actress that is [conscious] of the [movie lighting], that is nervous all the time, but she was so relaxed.
She would show you where the hand had to go, and where to put it, and that's it," he says, laughing. His only disappointment is that, after enduring the discomfort of the prosthetic penis, its effects are barely noticeable on the final video. I prefer to watch it on the big screen. I feel better with myself. Chilli con carnal. The Sydney Morning Herald. License this article.
Diego luna naked. Diego Luna and Gael Garcia Bernal in Gay Curious Threesome
Naked () - IMDb
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