It might have been our second or third gig that year with hardly any rehearsals, so go figure. Heydays of 90s metalcore. It was open-air and I thought that was odd as Hardcore version of face down. But since they picked their influences from the same big basket full of great classic releases that the H heroes composed their masterpieces in accordance to, it almost seemed as if they had been adopted by the H scene. The label also hosts an annual two-day "Facedown Fest" facw southern California. This aggressive individualism was in stark contrast to the good humoured communal feeling at the earlier festivals. We Wheels soft rubber corners for conveyors to order a second pressing immediately. Nowadays it sucks totally. A Polish melodic metal-core band from Ostrowiec. Veganism, straight edge ethics, respect and contemplation are abundant here.
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The sad melodies of the band really fascinated me and I found the bassist who made fun of the virile attitude of the band before original.
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The sad melodies of the band really fascinated me and I found the bassist who made fun of the virile attitude of the band before original. The curtain-call was done with just one guitar as the singer had the bad idea to throw away his ah! Everyone was dancing and singing along to the lyrics of the band. An excellent concert!!! To believe that he fell in love with the androgynous singer Ah! These guys were indeed from my hometown and Deinze. A Polish melodic metal-core band from Ostrowiec.
From the south of The Netherlands Den Bosch. I few months later they played in the V. See earlier shows at the V. This was followed by a shitload of records on commercial labels such as Doghouse recs, Sub Pop, Epitaph, etc. Some of my friends had been going there since , I believe and I finally made it with around 20 Polish hardcore kids in We came back the following years and each time we spent a couple of weeks in Ieper, working doors at the fest, which was also pretty helpful.
We met so many people from all over the world — from the Czech Republic friends who later turned to be the masterminds behind the mighty Fluff Fest , Italy, Holland, Brazil and what not. We traded stuff of the bands we were in, brought things home for distribution. We spent time in the pool or snacking the Aldi gingerbread with chocolate-cream the Ieper diet. Great times. Good gigs, too. It was still great, although I prefered the indoor one much more for its vibe.
It might have been our second or third gig that year with hardly any rehearsals, so go figure. I remember myself being nervous as fuck, standing in front of a foreign crowd for the first time in my life. Good that I made it in one piece. Bruno was so nice he invited us again in , I remember it grew bigger and that was great edition. Anyway, Ieper trips were always fun and I looked forward to them all year long. Blessed to be part of it in this way or another. I only remember Alpro soy-desserts and some good vegan biscuits.
And the public showers. And lots of nice and friendly people…. I remember Ieper. We had a good time as far as I can remember… I liked all the tents and shit; pretty cool.
That one was already in the bigger place in the back. Of course I recall playing there though. It was pure magic. I was a late teenager and guess I had a million feelings flying around all at once. I remember all the people up on stage. And how empowering that felt. That makes me proud of my self. Our fans where always really cute and friendly. I learned so much during those years and it really formed me to be the one I am today. Window Of Sarcasm self-releases on Inner Belt recs followed in Guitarist Jobst Eggert had been at the V.
They came back the next year…. They played brutal sXe H metal-core. They also played the fest the year before and earlier that year I liked the atmoshere at the festival. Ieper seemed occupied by straight-edge HC troops, and the streets surrounding the venue seemed like they were ours, haha. Until today this is my best moment on stage. Memorable line-up too. A quite unique registration of Members Of Futility: the only time we played that song live.
Heydays of 90s metalcore. It gives me a lot of pleasure that influences of that 90s metalcore are emerging again with new and old bands. On the internet the German Outspoken forum — outspoken.
They did a demo in entitled Arkangel. They also had a track on the Animal Truth compilation that SoberMind recs did. Hans also released their compilation-CD in But I was surprised when the new songs turned out even better than those on the tape. A sympathetic band that talked a lot about veganism and ecology. Their performance may have taken a wrong turn with the infernal dancing of the Italian fans, but otherwise I was content.
They played a show at the V. I only saw the last 6 songs but these were full of energy, which was evidenced by the people piling up on stage.
The guys in the band said it was their best concert ever. Pleasantly affectionate emo! Their music was brutal sXe H metal-core. Their new MCD is very brutal. They surprised us last year but now it was really worth checking them out. The whole hall rumbled when they played songs from their EP and also new ones that should appear on the new album. Niklas also played at this gig. Their set was recorded on video. During the first riffs everything seemed calm but as soon as the singer started, a wave of people rose and made their way to the stage, striking the microphone.
The musicians disappeared in the piles of people, sometimes the guitarist and the singer peeked over the heads of the crowd. They played songs from the last album but also old hits such as Senseless or Needle. All rocking and thrashing. The best show of this Friday — as could be expected. People were screaming along to their best songs, such as Everyday or Time Will Tell. It sure was quite an experience to play this festival in Ieper and I have good memories about it.
We did play at the V. Holy moly! What I always remembered is the good atmosphere, the warm welcome by the audience. It was a legendary gig, incredible ambience, very hot on stage, warm reactions afterward aswell.
I think we played there the last two times before the festival moved outside, to a much bigger location. We still played in the barn no other way to call it , with sweat dripping of every wall, people diving from the ceiling-beams,… Chaos, but in a very contagious way. It was amazing to see how much people actually fit in that barn :- … I remember being knocked out after our show — too many people, too much sweat, too little oxygen — but also kind of high on adrenaline at the same time.
People were singing along with songs we played for the very first time. Songs that had no lyrics yet I just shouted something. We all hung out in the city and we played soccer together.
Sweet memories. What I particularly remember of that show is that we, being a young band, got a lot of support from the audience. Our song Positive Kids was enregistred that day and used for the H sampler. But I enjoyed it, it was very powerful death-metal. Oh yeah, it was good old-school though. This aggressive individualism was in stark contrast to the good humoured communal feeling at the earlier festivals.
I have to confess I find all this muscle-flexing a bit dull. But I can be a bit slow to grasp some of the more deeper and progressive philosophical stances about the inter-relationships between people, community and society. But I have to admit it had an effect on me. Some guy in the pit hit me once too often so I punch him in the back of the head, and I offered him out for a fight, which alas he turned down. I guess you can take a girl out of the north east, but never the north east out of her!
Mathieu Storms drummed after Alexander. After him Vincent Tetaert played the drums. Being locals they played the V.