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Debashree Roy also known as Debasree Roy  is an Indian actress , dancer , choreographer , politician and animal rights activist. As a dancer, she is known for her stage adaptations of the various forms of Indian folk dances as well as her innovative dance forms imbued with elements from Indian classical, tribal and folk dance. Her first acting assignment was Hiranmoy Sen's Bengali devotional film Pagal Thakur where she was cast as an infant Ramakrishna Paramhansa.
Chopra 's Mahabharat. Roy was trained in Odissi by Kelucharan Mahapatra. She choreographed most of her dance numbers in Bengali films.
Her dance to the popular songs Ami Kolkatar Rosogolla  and Amar Naam Habiba from Raktelekha was accredited as the biggest factor for the film achieving an enormous success at box office. Roy was born and brought up in a Bengali family in Kolkata.
Her sister Tanushree Bhattacharya, popularly known as Jhumki Roy is a former actress of Bengali cinema and a playback singer. Roy was an infant when she was introduced to cinema. She was credited as "Chumki Roy" in the film. Hiranmoy Sen also zeroed in on her to play the role of Devi Kanya Kumari in the film. Chhaya Devi who was also a part of that venture suggested Chumki's name for that role.
She was cast alongside veterans like Biswajit Chatterjee and Sandhya Roy in the film. The film was a prominent success at box office and Chumki became a starlet. Following the success of Kuheli , Tarun Majumdar gave his word that he would introduce Roy as a leading actress when she would hit her teenage. Hence Arati Roy, her mother refused to let Roy play any other supporting roles in order to retain her daughter's exclusivity. The film was the Hindi remake of his Bengali film Balika Badhu Roy played the unfathered daughter to Sandhya Roy.
Roy was critically appreciated for her gaze in the film. She had to enact the adolescence as well as the adulthood of the character she was given. To shed off her juvenile, impulsive look, He instructed her not to undergo any conversation or any kind of playful activity for a long time before shooting. The film won critical favour but failed to create any ripple at box office. Both the films tanked at box office.
She, then featured in Nirmal Sarbanga's road film G. Road The film did not perform well at box office. She portrayed the character of Bini, the innocent sibling of Saraswati portrayed by Mahua Roychoudhury. The film became a remarkable box office success and her role and vibrant appearance was loved by the audience, alongside the reverse and solemn appearance of Mahua Roychoudhury. She was again cast in the role of the chirpy sibling of Mahua Roychoudhury in Manu Sen's blockbuster Bengali film Subarnagolak She also appeared in Dilip Mukherjee's Bengali film Father She portrayed the character of Nandita who, along with her boyfriend Samaresh exploits her former teacher's apartment for making love to each other.
She played Vidya, the love interest of Kundan played by Arun Govil. The film became a jubilee hit at box office. The same year, she featured opposite Mithun Chakraborty in Goutam Mukherjee's love triangle Troyee which became a major success at box office.
Aparupa , her another release of the same year was a flop at box office. Roy appeared opposite Tapas Paul in a number of successful Bengali films throughout s.
She was paired with Shashi Puri in this film. In , she was cast in the role of Kundanadinee in Ajay Kar's Bengali period film Bishabriksha , based on the veteran Bengali novelist Bankim Chandra Chattopadhyay 's novel of the same name. She played the character of Geeta, who decides to sacrifice her love for the sake another woman who had previously been her boyfriend's ladylove.
This film established Roy's pairing with Tapas Paul as the leading on-screen pairing of the nineteen eighties. Roy also delivered hits with Prosenjit Chatterjee and Chiranjeet Chakraborty. She was paired with Chiranjeet Chakraborty for the first time in Madhumoy , which also stars Prosenjit Chatterjee and Mahua Roychoudhury.
The film was a major hit and gave acknowledgement to Roy's pairing with Prosenjit Chatterjee as a bankable one. Roy was paired with Chatterjee for the last time in Rituparno Ghosh 's much acclaimed film Unishe April Roy essayed the role of Aditi, who decides to commit suicide after her boyfriend refused her to marry, but gets interrupted by her mother.
India Today described her performance as an "inspired performance by Roy, who has so far been mired in Bengali commercial cinema. After Roy separated from Chatterjee, she refused to play female lead opposite the actor. She portrayed the role of Sarada Devi in Swami Vivekananda In , she appeared in Rituparno Ghosh 's Asukh , landing the character of Rohini Choudhury, an actress who is suspicious by nature and begins to suspect her father to be an HIV positive due to some illegitimate relation she is not aware of.
The film became a commercial as well as a major critical success. In , Roy appeared in Debanjali which became a major success at box office. In , she appeared in Bappaditya Bandopadhyay 's much acclaimed film Shilpantar. She played the character of a woman who works in a circus and draws masses by her act of eating raw live snakes or hens. The film failed to receive favourable reviews from critics but performed well at box office. In , she appeared in Subhadro Chowdhury's National Award winning film Prohor ,  where she played the character of Nadita, who donates her blood for a man who raped her earlier.
In , she appeared in Bratya Basu 's Teesta. The film was a critical and commercial failure, still it earns her Anandalok Award for Best Actress in Roy choreographed most of her dance numbers in Bengali films. Her dance to the popular song Ami Kolkatar Rosogolla  from Raktelekha was accredited as the biggest factor for the film achieving an enormous success at box office. From , Roy made some impolitic choices of selecting films that did not equalize her stature and led her career into a major setback.
She featured in a role of a sex worker in Nilanjan Bhattacharya's directorial debut Lal Ronger Duniya She was appreciated for her performance in Goutam Sen's Bengali feature film Pakhi The Times of India wrote, "Debasree Roy gives a stellar performance with her act of a blind girl.
She featured in Suhasish Mukherjee's drama Antarbas The film was both critically and commercially unsuccessful. She portrayed the character of a loving woman whose husband is indifferent to her. Roy's performance in the film was appreciated by critics.
Both the films met debacle at box office. In , Roy featured in a role of a gynaecologist in Benoy Mittra's Antaraal. When Mittra narrated the plot to her, she loved the plot as well as her character.
She had to share her screen with Ilias Kanchan who she described as a delight to work with. Based on the poem of the same name by Tagore , the film narrates the story of two estranged lovers who, coincidentally meet on a journey by a train after a long time.
It was shot in Chittagong. Roy was interested to grow a career in television because she was always offered author-backed roles in television. In , she appeared as Satyavati in B. Roy alongside her sister Tanushree Bhattacharya, made a career in dance at a very young age after she became popular for her role in Balak Gadadhar Barin Dhar, a famous impresario at that time named her "Rumki" and her sister Tanushree "Jhumki".
In , she formed her troupe Natraj. It was a dance-drama where she translated classical Indian dance forms and their iconography into a solemn contemporary dance movements. It was based on Abhisar , a poem by Rabindranath Tagore. The mendicant assures her that he will accept only when the right time will come. Later, Vasavdatta is banished and left alone outside of her city as she has contracted a contagious disease.
The mendicant comes, takes her into his arms and says that the time has come. Vasavdatta got full seat occupancy every time it was staged. Roy was exposed to Indian folk dances as well by Kelucharan Mohapatra and took a keen and sincere interest to adapt them on stage. The project was critically acclaimed in western media. It was regarded as a valuable workshop on south-eastern Asian culture by Pariscope.
Roy had an interrupted dance career due to her commitment to film industry. She was always in a dilemma regarding which to focus primarily on between dance and film. After the major success of Bichitro , Roy was persuaded by some of her close ones to pay priority to her dance over her film career as she was regarded as much more excellent as a dancer than an actress.
As Roy was, at that time, the most bankable female star of Bengali cinema, directors and producers did not want her to focus less on her film career.
Later on, she ventured into Fusion art and collaborated with Taaltantra in some of their tours. It also enlightens people about the various steps that one can take to prevent animal cruelty and take ample care of the animals.
Eminent veterinary professionals are assigned to preside over these camps. In , Roy met Sandeep Patil on the set of Kabhie Ajnabi The and reportedly, the actress got involved into an affair with the cricketer who was already married at that time.
She was rumoured to be the sole reason for the failure of Patil 's first marriage. In , Roy got married to Prosenjit Chatterjee and they separated in During an interview conducted by The Telegraph , Prosenjit Chatterjee said that Roy had been one of his close friends since childhood; he also said that it was Roy actually who proposed to get married and decided to separate.